From a writer of singular voice and vision, a mesmerizing epic that reimagines the past to explore the true nature of freedom In this ingenious, sweeping novel, Phillip B. Williams introduces us to an enigmatic woman named Saint, a fearsome conjurer who, in the 1830s, annihilates plantations all over Arkansas to rescue the people enslaved there. She brings those she has freed to a haven of her own creation: a town just north of St. Louis, magically concealed from outsiders, named Ours. It is in this miraculous place that Saint's grand experiment--a truly secluded community where her people may flourish--takes root. Set over the course of four decades and steeped in a rich tradition of American literature informed by Black surrealism, mythology, and spirituality, Ours is a stunning exploration of the possibilities and limitations of love and freedom by a writer of capacious vision and talent.

From the critically acclaimed author of Thief in the Interior who writes with "a lucid, unmitigated humanity" (Boston Review), a startling new collection about revolt and renewal Mutiny: a rebellion, a subversion, an onslaught. In poems that rebuke classical mythos and western canonical figures, and embrace Afro-Diasporanfolk and spiritual imagery, Phillip B. Williams conjures the hell of being erased, exploited, and ill-imagined and then, through a force and generosity of vision, propels himself into life, selfhood, and a path forward. Intimate, bold, and sonically mesmerizing, Mutiny addresses loneliness, desire, doubt, memory, and the borderline between beauty and tragedy. With a ferocity that belies the tenderness and vulnerability at the heart of this remarkable collection, Williams honors the transformative power of anger, and the clarity that comes from allowing that anger to burn clean.

Phillip B. Williams investigates the dangers of desire, balancing narratives of addiction, murders, and hate crimes with passionate, uncompromising depth. Formal poems entrenched in urban landscapes crack open dialogues of racism and homophobia rampant in our culture. Multitudinous voices explore one's ability to harm and be harmed, which uniquely juxtaposes the capacity to revel in both experiences.

Canisia Lubrin's debut fiction is that rare work of art: a brilliant, startlingly original book that combines immense literary and political force. Its structure is deceptively simple and ingenious: it is modeled on the infamous real-life "Code Noir," a set of historical decrees originally passed in 1685 by King Louis XIV of France defining the conditions of slavery in the French colonial empire. In other words, the Code that contained and restricted the activities of Black people in the Caribbean. The original Code had fifty-nine articles; Code Noir has fifty-nine short, linked fictions that present vivid, unforgettable, multi-layered fragments of Black life as it really existed and still exists, winding in and around, over and under the official decrees, refusing to be contained or "ruled." Ranging in style from contemporary realism to dystopia, from fantasy to historical fiction, this loosely linked stream of 59 irrepressible stories comments on, underscores, undermines, mocks, breaks and redefines the Code's intent.

The Dyzgraphist presents seven inquiries into selfhood through the perennial figure Jejune. Polyvocal in register, the book moves to mine meanings of kinship through the wide and intimate reach of language across geographies and generations. Against the contemporary backdrop of intensified capitalist fascism, toxic nationalism, and climate disaster, the figure Jejune asks, how have I come to make home out of unrecognizability. Marked by and through diasporic life, Jejune declares, I was not myself. I am not myself. My self resembles something having nothing to do with me. Item number: 31735074068317

Voodoo Hypothesis is a subversion of the imperial construct of "blackness" and a rejection of the contemporary and historical systems that paint black people as inferior, through constant parallel representations of "evil" and "savagery." Pulling from pop culture, science, pseudo-science and contemporary news stories about race, Lubrin asks: What happens if the systems of belief that give science, religion and culture their importance were actually applied to the contemporary "black experience"? With its irreverence toward colonialism, and the related obsession with post-colonialism and anti-colonialism, and her wide-ranging lines, deftly touched with an intermingling of Caribbean Creole, English patois and baroque language, Lubrin has created a book that holds up a torch to the narratives of the ruling class, and shows us the restorative possibilities that exist in language itself. Item number: 31735075681233

Aimé Césaire is due a major critical reinterpretation and that is exactly what this book carries out. Through an in-depth grasp of the trajectory and core significance of Césaire's work, Jason Allen-Paisant highlights a set of links it makes between 'spirit,' 'poetry,' and 'knowing'. These explications, setting Césaire's work in relation to a rigorously accounted for set of influences, reframe how we understand his writings, enhancing their philosophical, rather than merely political, aspects. Engagements with Aimé Césaire: Thinking with Spirits is about more than Negritude (which has come to mean something less than a deep poetic sensibility with its own aspirational aesthetics and metaphysics, and rather something more like a fantasy-ridden iteration of pan-Africanism). It shows an Aimé Césaire deeply relevant to today: to the crises of ecological collapse, capitalist dystopias, and ideologies predicated upon fear and the threat of foreigners; and to contemporary chatter around interspecies collaboration and the need to rethink the entrepreneurial subject of Western political thought. Recasting Césaire's work is not just a matter of transforming a significant figure. It is also about rethinking legacies. This book is an engagement in the truest sense--the work of a contemporary Black poet who expounds the ways in which Césaire's work articulates for him a new politics of the self. Item number: 31735073377354

In Poetry London Maryam Hessavi wrote, 'Jason Allen-Paisant is uncompromising when digging down through the undergrowth of our imperialist past - and yet he succeeds in replanting new narratives in the same soil where these toxic ideologies used to, and still, reside. 'The interlocking poems of his second collection, Self-Portrait as Othello, imagine Othello in the urban landscapes of modern London, Paris and Venice and invent the kinds of narrative he might tell about his intersecting identities. Poetic memoir and ekphrastic experiment, Self-Portrait as Othello focuses on a character at once fictional and real. Othello here represents a structure of feeling that was emerging in seventeenth-century Venice, and is still with us. Portraiting himself as Othello, Allen-Paisant refracts his European travels and considers the Black male body, its presence, transgressiveness and vulnerabilities. Othello's intertwined identities as 'immigrant' and 'Black', which often operate as mutually reinforcing vectors, speak to us in the landscape of twenty-first-century Europe. Item number: 31735074068416

Jason Allen-Paisant grew up in a village in central Jamaica. 'Trees were all around,' he writes, 'we often went to the yam ground, my grandmother's cultivation plot. When I think of my childhood, I see myself entering a deep woodland with cedars and logwood all around. [...] The muscular guango trees were like beings among whom we lived.'Now he lives in Leeds, near a forest where he goes walking. 'Here, trees represent an alternative space, a refuge from an ultra-consumerist culture...' And even as they help him recover his connections with nature, these poems are inevitably political.As Malika Booker writes, 'Allen-Paisant's poetic ruminations deceptively radicalise Wordsworth's pastoral scenic daffodils. The collection racializes contemporary ecological poetics and its power lies in Allen-Paisant's subtle destabilization of the ordinary dog walker's right to space, territory, property and leisure by positioning the colonised Black male body's complicated and unsafe reality in these spaces.' Item number: 31735074068325

To foil the context was to outrun the authority's imagination. And to refuse all explanations of why what we felt was not real. To disarm the wolf every time at every gate. Unthread its learnedness and don the lonely pelt. The poems of Alt-Nature move in desert dreams and riverbeds. Here, geography forms the basis of feeling and connection in the American Southwest. Being and becoming along meridians of environmental degradation, globalized/ing militarism, and incarceration, Saretta Morgan thinks through the languages that instantiate violence alongside those which prepare the body for love.