A small-time hood rises to criminal fame and power. Adapted from W.R. Burnett's novel. Originally released as a motion picture in 1930.

A man is saved from a suicide attempt by an angel and is then shown how important he is to the people who love him. A Christmas classic.

The Corleone Family nearly falls from power in America but rises to observe the passage of rites from father to son. There is a balance between family life and the ugly business of crime in which they are engaged.

Charlie, a 27-year-old, tries to work his way up the bottom rungs of organized crime's ladder. Amy Robinson is Teresa, the girlfriend Charlie's family declares "unsuitable" because she has epilepsy.

Martin Scorsese's searing study of a young hood and his friends in New York's Little Italy. Includes audio commentary by Martin Scorsese; featurettes; and much more.

The continuing saga of the Corleone crime family which tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba.

Profiles the experiences of Italian-American immigrants through the eyes and lives of one couple, Catherine and Charlie Scorsese. Includes informal footage of the family at the dinner table, reminiscences about the Scorsese family in Sicily and New York, period footage of New York City, and treasured family snapshots. The big shave is a film of a young man shaving. He cuts himself and has a frightening religious experience.

Rocky Balboa, a club fighter seemingly going nowhere, gets his once-in-a-lifetime opportunity to go the distance and come out a winner when fate puts him in the ring with the world heavyweight champion.

The story of a Brooklyn store clerk who is a Saturday night disco king; he begins to question the narrowness of his perspective when he meets a girl who is shedding her origins for a more sophisticated life style.

"Every year I washed walls for my grandmother. When my grandmother was 87, I made this video while washing her walls. The camera person was Nick Mastandrea, who has gone on to be one of the top A.D. in Hollywood. Nick never shot anything before this and he said what do I do. I told him don't pan, tilt or zoom, just keep my grandmother in the frame."- Tony Buba https://vimeo.com/23162435

An "unlucky in love" Italian-American widow just weeks away from her wedding falls for her fiance's younger brother.

This exceptional film traces the shifting moods and contrary behavior of two Italian-American sweethearts in the last days before their wedding.

Details the rise and fall of Henry Hill, a Brooklyn kid who grows up idolizing the "wise guys" from his neighborhood. He begins hanging around the mobsters and doing odd jobs until he gains the notice of local chieftain Paulie Cicero. In his teens, Hill distinguishes himself as a "stand-up guy" by choosing jail time over ratting on his accomplices. From that moment on, he is a part of the family. Along with his partner Tommy, he rises through the ranks to become Paulie's lieutenant. Soon he finds himself the target of both the feds and the mobsters.

The story of three women in post-war Little Italy, the harsh realities of their life there, and the transformation of their lives into something magical.

The story of two brothers whose Italian restaurant is on the brink of bankruptcy. Their only chance for success is to risk everything they own on an extravagant feast for bandleader Louis Prima. But their big night is complicated by a lovers' triangle, a sneaky restaurant rival, and the hilarious perfection of chef Primo.

Tony Soprano is your average, middle-aged businessman. Tony’s got a dutiful wife, a not-so-dutiful daughter, a son named Anthony Jr. a mother he’s trying to coax into a retirement home, a hot-headed uncle, a not-too-secret mistress and a shrink to tell all his secrets, except the one she already knows: Tony’s a mob boss.

In FUORI/OUTSIDE the videomaker, an American woman of African and Italian descent, examines her relationship with her Italian American grandmother. The lives of the two women are inextricably linked to local geographies; family stories embedded in the walls of tenement buildings and suburban landscapes. Personal memories overflow into public spaces, contradictions around race within the family are contextualized within larger conflicts between Italian Americans and African Americans. The foundation of FUORI/OUTSIDE is the powerful bond between the two women, marginalized by color and age, that survives the instability of family, class and ethnic identity. www.twn.org