In 1929, near Plano, Texas, fifteen-and-a-half-pound Eddie Stimpson, Jr., was born to a nineteen-year-old father and a fifteen-year-old mother. The boy, his two sisters, and mother all grew up together, living lives void of luxuries, but full of country pleasures." "The details of ordinary family life and community survival include descriptions of cooking, farming, gambling, visiting, playing, doctoring, hunting, bootlegging, and picking cotton, as well as going to school, to church, to funerals, to weddings, to Juneteenth celebrations.

To his contemporaries in Gilded Age Manhattan, Guillermo Eliseo was a fantastically wealthy Mexican, the proud owner of a luxury apartment overlooking Central Park, a busy Wall Street office, and scores of mines and haciendas in Mexico. But for all his obvious riches and his elegant appearance, Eliseo was also the possessor of a devastating secret: he was not, in fact, from Mexico at all. Rather, he had begun life as a slave named William Ellis, born on a cotton plantation in southern Texas during the waning years of King Cotton. The Strange Career of William Ellis reads like a novel but offers fresh insights on the history of the Reconstruction era, the US-Mexico border, and the abiding riddle of race.

Shot on the Senate floor by a young Black man, a dying racist senator summons an elderly Black Baptist minister from Oklahoma to his side for a remarkable dialogue that reveals the deeply buried secrets of their shared past and the tragedy that reunites them.

Perhaps no other symbol has more resonance in African American history than that of "40 acres and a mule"--the lost promise of Black reparations for slavery after the Civil War. In I've Been Here All the While, we meet the Black people who actually received this mythic 40 acres, the American settlers who coveted this land, and the Native Americans whose holdings it originated from. In nineteenth-century Indian Territory (modern-day Oklahoma), a story unfolds that ties African American and Native American history tightly together, revealing a western theatre of Civil War and Reconstruction, in which Cherokee, Choctaw, Chickasaw, Creek, and Seminole Indians, their Black slaves, and African Americans and whites from the eastern United States fought military and rhetorical battles to lay claim to land that had been taken from others.